By closely observing everyday behavior, I work with lens-based media and performative situations, moving between spontaneous encounters and constructed frameworks. Simple conditions generate unpredictable human reactions, revealing what ordinary moments can disclose about relationships. This approach functions as a form of research through observation and experimentation, where these reactions — gestures, reflexes, micro-interactions, and interactions with objects — become the main material of inquiry. Sometimes I film situations as they unfold; at other times, I construct simple frameworks that invite spontaneous reactions.

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We continuously perform different identities in daily life; I am particularly interested in the moments when these performances slip, producing unfiltered gestures and bodily responses. Alongside constructing minimal conditions based on observed situations, I also record fleeting encounters in public space. These parallel approaches allow me to move between fictional frameworks and real-time observation, reflecting on how the resulting responses can be situated within questions of trust, communication, and belonging.

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My interest in these moments emerged from noticing repeating behavioral patterns within my parents’ relationship, which gradually expanded into a broader curiosity about how people relate to one another. This curiosity finds its origin in the concept of trust, a fragile and shifting mechanism that shapes how communication unfolds and raises questions of belonging.

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I continuously question what drives my practice and use the work itself as a tool to sharpen my artistic positioning. Over time, by making and returning to the work, I have come to recognize that my practice consistently revolves around trust, communication, and belonging, while remaining open to transformation as the work evolves.